Showing posts with label Thor. Show all posts
Showing posts with label Thor. Show all posts

Saturday, 28 April 2012

Bromance To The Extreme

It's the mother of all ensemble films, and a fangirl's wet dream: throw together four of the world's greatest heroes, put them in a confined space together and send them off on a mission to destroy a mighty supervillain capable of bringing about the end of the world as we know it. It had the potential to be either a massive disaster or a stunning hit, and I'm pleased to report that Avengers Assemble is most certainly the latter.

(Side note - do you realise how hard this was to write and keep free of spoilers? Incredibly, that's how hard. But I think I did a pretty good job, if I do say so myself. It was expecially difficult to keep one big thing a secret, but I did it!)


I won't go into huge detail over the plot, because it would take me bloody ages, but here's the basics for those who didn't already know. The ever egotistic Iron Man (Robert Downey Jr.), the newly-unfrozen Captain America (Chris Evans) and the reclusive Dr Banner, aka the Hulk (Mark Ruffalo) are recruited by S.H.I.E.L.D. to retrieve the Tesseract (a shiny cube thing from Asgard - that's Thor's home planet to the uneducated - which contains unlimited amounts of energy... blah blah blah) which has been stolen by the nefarious Loki (Tom Hiddleston) as part of his plot to take over the world and rule as its king. Well, as you can imagine, there are ups and downs from the get-go, and a lot of butting heads over how to deal with Loki and the brainwashed Hawkeye (Jeremy Renner). But hang on, isn't there one missing? Oh yes, as if things couldn't get more complicated, in flies the aesthetically-pleasing Thor (we forgive the hair, Chris Hemsworth) to take his brother back to Asgard, and the situation becomes more action-packed - and hilarious. Just FYI, it's a lot more complicated than it looks in the trailers, which suggests that a lot of the film is spent in the increasingly apocalyptic-looking Manhatten but actually is mostly spent on board a "helicarrier" (which is essentially a big flying aircraft carrier-slash-strategy base-slash-prison-slash-laboratory). Quite rightly, the fighting all comes to a head in an action-heavy finale which maybe feels slightly too long and drawn out but is pleasing all the same.


Ok, where to begin? A lot of people were concerned that this was going to be 'The Iron Man Show featuring other Avengers', but I'm very pleased to report that this really isn't the case; they all really get their moments to shine, even those who would be considered more supporting roles such as Black Widow (Scarlett Johansson) and Hawkeye (can we please see an origins film for these two?). The humour in this film defies belief, and again everyone gets their comic moment, even the lovely Marvel stalwart, Agent Coulson (Clark Gregg). As ever, Robert Downey Jr. is brilliantly charismatic and delivers all his lines with wonderful dryness that undercuts everything and everyone. Chris Evans may be slightly stiff, but plays the "man from a different time" very well, and since he's the one who gets exasperated with everyone easiest, we also relate to that when we want to bang everyone's heads together and shout "JUST PLAY NICELY, CHILDREN!" Chris Hemsworth is likewise very good at playing his part of someone who doesn't really fit in with the rest, and maintains his "I am a God" swagger whilst working out some sibling rivalry issues and trying to protect the Earth. Naww. The revelation is Mark Ruffalo, who finally manages to prove to the world that the Hulk can be a success! He brings such an endearing, sweet and sensitive vulnerability to Bruce Banner that audiences should like him very quickly and very easily, as well as also having great banter with the rest of the team. I would gladly go and see a Hulk film if he were to star in it again.


As for the "supporting" cast members (I use inverted commas because really they all play such a large role that they are more than just supporting), they too also bring great depth and layers to the film. Samuel L. Jackson's Nick Fury gets to do more than turn up at the end of a film, swish his coat and ramble about "The Initiative" as he has done in all the prequel films, and audiences will either like him or dislike him a lot more after seeing the film - I was the latter, because really I saw him as just a smug prick in this, though some would say he proved himself finally by getting it together and not just standing there. Whatever your opinion, he's still no more interesting, really. Note to Marvel: don't make a Nick Fury origins film, please. As for Black Widow and Hawkeye, they are lovely, and it would be wonderful to see more of them in the future. Natasha Romanoff, aka Black Widow, redeems herself after her mediocre performance in Iron Man 2 by integrating some actual emotion into her character, and she's actually really likeable. Her chemistry with Hawkeye is also really nice - I could sit there and watch them for hours (read: make a film!). And as for Hawkeye himself, it's nice that we finally get to see him in action, since all he had before was an uncredited cameo in Thor. He is so unbelievably cool with a bow-and-arrow, even better than Katniss. There's one particular shot, and you'll know when you see it, that I felt like applauding. I wanted to cry with envy at how cool he was. But the one who actually made me cry and stole every seen he was in was Agent Phil Coulson. If you've seen the other films you know how amazing he is anyway, but here he really shines. Whether it's being a total fanboy over Captain America (so adorable) or standing up to Loki, he gives a really wonderful performance that makes him one of the best characters in this whole franchise.


And last but certainly not least, is the one, the only, the Asgardian reject, Loki! My first question is: why would anyone oppose a world ruled by Loki? I'm definitely on his side in this one, I would welcome this, but I may be biased because I absolutely adore him. He's developed further in his emotional and injust situation of being the illigitimate brother, though maybe trying to take the world by force wasn't necessarily such a good idea - I'm sure everyone would have come round if he explained his plight nicely. Yes, he apparently hasn't cut his hair since the Thor and he looks ill most of the time, but his mischievious ways are still so charming, and I still held out a tiny bit of hope that he would win in the end. Funnily enough, when his plan comes to fruition and the Chitauri (some form of aliens to you and I) come to Earth through the magic portal (don't ask), it's actually then that he becomes most... dull, for lack of a better word - he's obviously not dull, because it's Loki, but his spark has kind of gone by the time his plan is in motion. Loki is much better at ranting manically and riling up every character he comes across rather than putting any plan into action.


Really what is great about this film is the interaction between the four heroes. There's a lot of bickering which often results in hilarious one-liners and one hero making a jab at another, escalating into fights some of the time (the Thor and Iron Man one is both great action and comic genuis at the same time). And really, Total Film were right when they said that it isn't the best superhero film ever (duh, Christopher Nolan's Batman films, anyone?) but may well be the funniest, and not just in dialogue but also in action - see: Loki and the Hulk... actually a lot of Hulk moments. It had me in stitches an insane amount. But also the bromance between the characters when they finally come together as a team is really something special. Bruce and Tony have a very touching moment where the two genius minds come together and form an endearing bond - and watch them at the end, it's almost enough to make you go "awwwww" (I actually did, silently). Even the relationship between Black Widow and the Hulk is nice. It's so heartwarming to see them working together when they finally pull it off.


There are only two small things wrong with the film: I don't particularly care for Cobie Smulders' Maria Hill, who doesn't do anything really except strut around in a catsuit and be Nick Fury's lackie. And secondly, Loki's alien army are threatening, I suppose, as a whole, but are kind of forgettable and seem to be taken out very easily. It's only the giant... flying... creature... things that you've all seen in the trailer, that seem like they could actually cause quite a bit of damage.


The film redeems itself from these small niggles by doing something that most films can't, which is to make the clichéd moments fun and to twist them into the unconventional. There's a particular sign on the side of a particular building at the end, which instead of being cheesy is just cool, and moments like Loki bringing forth a deep, dark moment in Black Widow's past is turned on its head to become something entirely different than angsty. Even the jokes that come after Bruce being discovered naked in a barn after a round as "the other guy", as he likes to call him, are funny rather than done-to-the-death.


It could have gone so wrong to have four big characters like this all in one film, but it did so well to pull off being an actual ensemble cast, with each character getting their deserved amount of screen time and nobody (read: Tony Stark) hogging the limelight. And nobody is made to feel unimportant or unnecessary; they all have a role to play and writer/director Joss Whedon hits the nail dead on the head in getting it so right. All of the different backstories are hinted at and the different plots fit together seamlessly where it could have been disastrous otherwise. It's also not just a showcase for the heroes' talents, as we also get to see their weaknesses and vulnerabilities - there's a revelatory moment when Tony is talking to Bruce that makes us see him in a different light than we might have in his other two outings, and we also get to see Steve "Captain America" Rogers trying to adjust to a new life he is so unfamiliar with, among other moments. It's clever, and though it's been compared with the Transformers films for the levels of destruction it causes, it isn't daft and bland like that particular franchise - this actually has brains and uses them. There's a lot more talking that one would expect, but that's really a good thing, as we get to know each and every character better than we did before. This feels like just the beginning.


Verdict: A film which is visually stunning, intelligent, endearing, hilarious and, at times, heartbreaking. It more than lived up to my expectations. You really have to see the other films before this to properly appreciate it, but for fans, it doesn't get much better. On behalf of fans everywhere I can only say one thing: Thank you, Joss Whedon. Please come again.

*****

Monday, 9 January 2012

My Top 11 Films of '11

Happy new year to all my wonderful followers and readers!

At this time of year, critics tend to post their lists of their favourite films from the last year, and I thought I'd hop on this bandwagon now that I have an appropriate outlet for this. So without further ado, my top 11 films of 2011 (apparently also known as "films most overlooked in 2011").

11. Tinker Tailor Soldier Spy

As a Gary 'G-Man' Oldman lover, I was anticipating this film because his performance had been so hyped up in it, with many people calling this the role that will finally give him that long overdue Oscar nomination. Suffice to say, I was very impressed with him. He may not win the Academy Award, and possibly won't even be nominated (he's almost guaranteed to win the BAFTA though, because they are the most biased organisation I've seen in the film industry), but it was good. The cast was amazing, and I think actually Benedict Cumberbatch stole it for me, with his incredibly underrated performance. Overall, it was a little disappointing considering all the hype and anticipation, but definitely still worth a watch for anyone who hasn't already seen it.


10. Source Code

This could quite easily have gone either way in how I reacted to this film. A Groundhog Day-esque narrative with a female lead who I wasn't keen on wasn't getting me overly excited for this before I saw it, but damn was it good. Duncan 'Moon' Jones proves again that he is the sci-fi director of the moment, and Jake Gyllenhaal gives a wonderfully moving turn as a confused army pilot forced to ride the same exploding train over and over again to find the bomber. It's one of the smartest action sci-fi thrillers I've seen in a long time.


9. Thor

Easily the second-best superhero film offered this year (see number 7 for my favourite), Thor gave Chris Hemsworth his first proper leading man role, and he does it perfectly. The film blends comedy, action, family fueds and drama wonderfully, and the special effects are mesmerising. But really, the reason this made my top 11 films of this year is because of Tom Hiddleston's Loki, who steals the entire show, and is the loveliest, most misunderstood supervillain ever. The fact he is returning for The Avengers makes me so excited I could bounce around. And I think I did when I found that out. The odd choice of Kenneth Brannagh as director pays off, and I'm a little disappointed he isn't returning for the sequel. But still, enjoy this one, and watch as a very enjoyable prequel to The Avengers in the spring.


8. Harry Potter and the Deathly Hallows part 2

Surely everyone's most anticipated film of 2011, there was so much pressure on this film to be good, and it mostly didn't disappoint. I've already written a lengthy blog post containing my thoughts on this, so just refer back to that to see what my verdict was. But still, having grown up with Harry, I couldn't wait for this film, and to use the much-overused-but-very-appropriate-phrase, it was the end of an era. There were tears. There were laughs. There was an unwanted amount of disbelief. But I think it would be doing it a discredit to say it wasn't a great way to say goodbye, and for that reason, it made my list.


7. X-Men: First Class

The number 1 superhero movie of the year goes to X-Men: First Class. Absolutely superb acting from the two leads, James McAvoy and Michael Fassbender (we forgive the accent) made it compelling to watch, and it was lovely to see the return of strength to this franchise which had been diminshed somewhat by the previous two offerings. It earned my first five-star review on my blog, with good reason. The plot is engaging, Kevin Bacon clearly relishes in playing a hideous villain, but really it is the chemistry and bromance between McAvoy and Fassbender that seal the deal.


6. The Girl with the Dragon Tattoo

I haven't done a blog post on this yet and I don't know whether I'll actually get around to doing it, so I'll put my general thoughts here now. Lots of people, including myself, were a bit skeptical when the Hollywood remake of the cult Swedish thriller was announced to be in production, but as more information came through I began to get a little optimistic that maybe it wouldn't be a remake that completely destroys the foreign original and gets completely slated. David Fincher is one of my favourite directors, so that was the first promising tidbit, and then the cast was announced, it was revealed that it was staying true to the books, and it was being filmed and set in Sweden, as the novels state. It's a very dark film that deals with subject matters that made me feel quite uncomfortable at times, and was clearly given an 18-rating here for a reason. But the whole cast are terrific, Daniel Craig and Rooney Mara in particular, and the plot was very engaging. Yes, anyone who's read the book and/or seen the original film (which I must point out, I haven't yet done either) before knows the outcome of the mystery, and actually it was rather predictable once it got to a certain point within the film, but it was very stylish and I hope they do make the sequels, with the original cast and crew. The titles alone - which were very Bond-esque in the fact that they were put at the start of the film overlaid with a cracking song (Trent Reznor and Atticus Ross, who actually deserve an Oscar for the soundtrack this time, did a great remix of Led Zeppelin's 'Immigration Song') and weird silhouettes of contortionists - deserve a place on the list.


5. True Grit

One of the most overlooked films of this year, especially when awards season approached last January, was this one. Like The Girl with the Dragon Tattoo, I'd never seen the original, but as a big fan of the Coen brothers I was excited to see their latest offering, which was brilliant. Jeff Bridges was outstanding as Marshal Rooster Cogburn, and I actually think Hailee Steinfeld deserved the Best Supporting Actress awards over Melissa Leo, but hey, I seem to be one of the only people giving this film the attention it deserves. Unorthodox casting of Matt Damon was pulled off completely, and he was another one who didn't get the recognition he deserved this year, with The Adjustment Bureau also getting overlooked. It's definitely awarded my "Most Underrated Film of 2011" award (that I just made up. The King's Speech probably gets the most overrated award).


4. Black Swan

Yes, the "lesbian ballet film" earns a space in my top 11 this year. Watching it first time round, I was impressed, especially by Natalie Portman who completely deserved her awards for this, but it didn't strike me as being absolutely amazing. After watching it again (and again and again...) though, it was brilliant. Darren Aronofsky should have won all the best director awards for this. The cinematography and special effects are stunning, but really it's the engaging, original script of a mentally unstable athlete striving for glory, which Aronofsky of course has previous experience with, having directed The Wrestler, that really sells the film. It's dark, disturbing, but beautifully made and with an amazing score that I'm actually listening to as I write this. Just don't watch it with your family. Especially your mother.


3. The Fighter

Another film about an athlete striving to succeed! Except of course, this is completely different to Black Swan, and not just in terms of their athletic fields. This is much more of a drama focusing on the complexity of family life and the conflicts between the family members. Mark Wahlberg was snubbed after not getting nominated for this role, though I think his quiet voice of reason in this gets overshadowed by loud, brash but wonderful performances by the supporing cast of Christian 'Jesus' Bale, Amy Adams (in a career-best, I think) and Melissa Leo, with the former and latter of course walking away with many awards. Truly an amazing film to watch; if you haven't seen it yet, do it.


2. Water for Elephants

No, this was not the best film of the year, on my list or many other people's. But it makes number 2 on my list because it really was very special to me. It was based on one of my all-time favourite books, starring some of my all-time favourite actors, and subsequently containing one of my all-time favourite scores. It was my first ever review on this blog, and if that wasn't enough, I also got tickets to the premiere, to walk the red carpet and see it before anybody else. But aside from that, it's the most visually stylish film I've seen this year, and certainly my favourite period-piece. The acting was superb, with Robert Pattinson in particular shining in his first big role since Twilight began. It's no secret that I'm a fan of his, and I was so pleased that he was able to properly showcase his acting ability in this. Also, I think it has been overlooked in the 2012 awards season in terms of the technical side of it: the cinematography is beautiful and the costumes are splendid. I also think I felt every emotion it's possible to feel during a film during this, and I've never cried so much inexplicably watching a film before. I honestly can't even explain why, but the ending sets me off every time I watch this. Kathryn and I were weeping for about half an hour after it finished, and that isn't even an exaggeration; they were cleaning the theatre around us. So, because it was so personal to me, it's ranks as my number two film of the year.



And number one?

1. Super 8

It was the most flawless film of the year. I cannot fault it at all. The acting is amazing, the special effects are stunning, the banter between the young characters is a highlight, and it's so refreshing to have a truly brilliant original script from Hollywood. And what have they done? OVERLOOKED IT. I cannot comprehend how this isn't sweeping the boards. Everything about it is perfect. This is a prime example of the hatred that academies seem to have for sci-fi films. But you forget it's even catagorised as that, because for the most part it's a mystery, a suspense, and a comedy, with a side of tween love-triangle thrown in there. Writer/director JJ Abrams (Lost, Star Trek) is fast becoming one of my favourite directors, and his creativity and originality is incredible. Filled with fantastic one-liners as well, it's suitable for pretty much everyone over the age of 10, and everyone should see it. The fact that I cannot find a fault in it at all, and that it's one of my absolute favourite films ever now, is why it clinches the top spot on my list.


Do you agree? Drop me a comment below and share your thoughts.

See you in 12 months for this year's summary!

Tuesday, 10 May 2011

Stop, Hammer Time.

Building on the apparent market available for comic-book heroes, Thor proves itself to be up there with the greats.

Thor, heir to the throne of Asgard, is banished to Earth after getting a little cocky and trying to commit genocide. After meeting Natalie Portman and her team of useless and unnecessary scientists who are conveniently in the middle of the desert where he appears, he slowly, and often comically, adjusts to life on Earth. Meanwhile, his brother Loki, after learning a life-changing secret, goes a little loopy and overthrows his father for the throne, sending a giant robot to kill Thor on Earth, who is powerless to stop it without the use of his magic hammer...


Sound confusing/ridiculous/brilliant? (delete as appropriate) It should. And it is.

I was a little puzzled at first as to why Kenneth Brannagh, renouned more for his Shakespearean theatre work than summer blockbuster skills, was directing, but I have to say he did a surprisingly good job. The cinematography and special effects are brilliant, and I can see why it would be appealing to see this in 3D, but to be honest, it was just as good in 2D. You find yourself lost in the mythical world of the gods and wanting to move there just for their awesome Rainbow Bridge, guarded by the sinister Idris Elba, one of the most likeable characters in the film.

The most interesting part of the film are the scenes set in Asgard and Jotunheim. Compare Earth to the stunning CGI, and it looks incredibly drab, especially as the Earth-setting is a town which essentially has three buildings and residents who are all rednecks or S.H.I.E.L.D. agents. Sif and the Warriors Three provide a little extra humour in the serious moments in Asgard, making a suitable posse for Thor, and they are characters I would want to see developed in any sequels. The scene where they walk down the street in their warrior gear to confused onlookers is one of the funniest moments in the film.

Chris Hemsworth proves, after a memorable turn as George Kirk in 2009's Star Trek, that he is leading-man material, and the prospect of him in the upcoming Snow White and the Huntsman is appealing. He plays pretty much every emotion in the film, from besotted to mourning, very convincingly, with some hilarious moments as Thor adjusts to life on Earth after his banishment. The action sequences are amazing.

For me, my favourite part of the whole film was Tom Hiddleston's Loki. He is one of the few villains I have seen who I end up wanting to win over the hero, and I genuinely feel so sorry for him. He has an intense vulnerability about him, and having lived in the shadow of his pompous and arrogant brother his whole life, I think he's fully deserving to be a little wrathful towards him. And really, his only threats are killing his father, who quite frankly deserves it, and Thor, who can handle himself anyway. Make up your own minds, but he, in my opinion, is the best character in the film; they should just make a film about him, and I would be so happy.


The problem I found with the film was that there was not enough character development in regards to the humans. Natalie Portman's Jane's only purpose appeared to just be a chauffeur/love interest with a ridiculous job which I still can't work out. There was no chemistry between her and Hemsworth, and it seemed like they were only interested in each other romantically because the other was a novelty. Kat Denning's other-girl-whose-name-I-can't-remember-but-that-doesn't-really-matter seemed to only be there to point out the very obvious fact that Chris Hemsworth is not bad to look at, and to Taser him. Her attempts at comedy failed spectacularly to the point where it wasn't even so-bad-it's-funny, but just cringey. And the only benefit of Stellan Skarsgard's professor was to get drunk with the titular character and then appear in a scene related to the upcoming Avengers film that the studio cleverly decided to place post-credits so that you will miss it if you don't know it's there. I did, and I'm still quite resentful about it. To be quite honest, if the humans weren't needed for plot development, they wouldn't have been missed. They didn't bring anything to the film of any worth. Harsh, yes, but true.

One thing that annoys me about the promotion is the way they are hyping up Anthony Hopkins' role. Yes, he is a brilliant and highly respected actor, but why he appears on all the posters and not Loki, the main antagonist, is beyond me. All he seems to do is reminise about a fight that happened thousands of years ago and then sleep for the rest of the film. He does manage to pull of that gold eyepatch though. If you ever need one, that's the way to go - disabled bling.

I don't usually say this about films, but it just didn't seem long enough. They could easily have had an extra twenty minutes in which they could have developed the humans a little more, or added in some extra Loki, both of which would have improved the film to a certain extent.

Overall though, the film brings in some brilliant action, special effects and great acting from the characters who matter. This is not by any means a superhero movie to be compared to the likes of more serious franchises (read: Batman), but of course it won't be - for one thing, it doesn't have Chris Nolan involved. But I quite like that. It doesn't take itself too seriously, and is enjoyable fun, lighter than Batman but not as fluffy as, say, Fantastic Four. I'd put it on a par with Iron Man in comparison for other superhero films, which isn't a bad thing at all. If you are planning on seeing the Avengers film next year, this is a must see.

Verdict: A couple of hours of enjoyable fun. The special effects and Loki are reason enough to go and see it, and definitely a must-see for anyone planning on catching the Avengers film.

Trailer: http://www.youtube.com/watch?v=uHBnrJowBZE

****